Lee Filters Polarisers & Accessories

105mm Polariser

This polariser is attached to the filter system by
a special ring, which fits to the front of the
filter holder. This allows the polariser to be
rotated independently of any other filters in the
holder. It is the ideal solution for landscape
photography, where a combination of
graduated filters and polariser may be required.

Polariser
100mm x 100mm

This polariser slots into the filter holder, which
is then rotated to achieve the desired effect.
This version is recommended for studio use,
or when no filters are required in addition to
the polariser.

Red Enhancer
100mm x 100mm

This unusual filter enhances any red or orange features within the frame, leaving other colours unaffected.
The Glass Enhancer is particularly effective when shooting natural landscapes that may require a boost. Autumnal colours are rendered deep and rich, while sunsets and any warmly coloured elements stand out from the objects around them. The filter is also suitable for use with certain architectural images.

Glass Soft Focus Filte
100mm x 100mm

The LEE Glass Soft Focus filter offers the photographer the option of softening the scene, without the result appearing to be overdone. Crucially, overall contrast is almost unaffected, and altering the aperture or focal length has no adverse effect on the resulting photograph. The LEE Glass Soft Focus filter measures 100x100x2mm.

ProGlass ND Standard Filters

New from LEE Filters, the ProGlass ND is an extremely high quality glass ND standard filter – optimised for use with digital cameras, but equally useful for film. This brand new filter uses a surface coating made from evaporated metal, and therefore provides very even absorption
across the visible spectrum and through the UV and Infra Red regions. Digital SLR users need to use ND standard filters to prolong exposure times in bright conditions for landscape photography, but the excess UV and IR can cause colour problems in some lighting situations.
The ProGlass filter reduces any chance of false colour casts, and also provides a result described as ‘punchier’ on digital and film because the light forming the image is more specific to the requirements of the film or sensor.

Available in 100x100mm, ND 0.6 (2 stops) and 0.9 (3 stops)